2017 Year-in-Review

I'm not usually one to write these types of things. Every year has both its good and bad days, challenges and learning experiences but I considered 2017 to be a pretty good year for the hubby and I. I'll highlight some of the reasons below:

A Creative Collaboration:

At the end of last year, my husband and came up with a little creative endeavour for the both of us to work on (a small app). While I worked on fleshing out the characters at the beginning of 2017, we started to see a bigger potential for it and being the crazy creatives we are, imagined all kinds of things it could transition into. Based on the characters' expressions, we started to see their personalities emerge and my husband ended up coming up with the characters' names, backgrounds and motivations with the possibility of later creating a story with them in it. Although I have illustrated stories for others, neither of us had had much experience writing our own but we thought it would be a good opportunity to put some of the things we've learned over the past few years to use.

I had managed to get most of the characters cleaned up and in various poses when paying client gigs came in and we had to put it and other personal projects on hold. My husband is a web developer which tends to be all-encompassing and, when I get deadlines, I tend to brush everything else off to focus on that. Because work kept coming in, the project had to sit on the back-burner.

Client Work:

Client work came from a variety of industries which pushed me to learn new things quickly to be able to meet my deadlines. I had a lot of new experiences: I ended up pencilling and inking a comic cover to be coloured by another artist; I did my first-ever full-colour comic work, from pencils to colours and lettering; I designed a banner to promote a book I worked on, and a YouTube still for a musician I know; I collaborated with an art director from an ad agency on a few projects including spot illustrations, package label, and logo. It felt a little surreal getting all these requests because, due to lack of time, I had distanced myself from social media. I'm still not sure which was the cause and which was the effect!

One of the projects I collaborated on with an art director went through a number of iterations before a final image was chosen. It started off as a relatively simple cartoon likeness of the client but they ended up wanting to push it further into the realm of caricature. Unfortunately, I can't show the final image but you can see some of the iterations.  This process opened my eyes to the nuances of what art directors and clients might ask for.

Things I learned:

Even with client work, I made a point of trying to keep up with my online Schoolism classes, albeit at a slower pace. I learned a lot of useful tips that I plan to apply to the latter half of our project. While I didn't have much time to do the homework, I did watch and absorb a few online courses. I love how it gives me a new perspective about art and the many ways to approach it. Hearing other artists share their experiences, backgrounds and tips, has made me feel less stressed about my own art and more excited about the future and possibilities. This was a huge revelation for me because I've always been a little too critical about my work which sometimes tends to hold me back. I'm learning that everyone has their own creative process and style so I need to not be so hard on myself. 

I learned a great many things that contributed to my feeling much happier in 2017. I learned that it's not necessary to compare myself with others but to embrace the things I do well as an artist. That doesn't mean I will stop trying to push myself or evolving. I learned that limiting my exposure to social media made me less stressed and distracted. I learned not to worry too much about what others think and to instead focus on my work and projects; there will always be people that like what you do. I also learned a little about legal contracts and picked up copies of Graphic Artists Guild Handbook: Pricing and Ethical Guidelines and Business and Legal Forms for Illustrators.

Thanks for all the support and here's to a healthy and prosperous 2018 to you all! 

Sneak Peek of Green, Gold and Black

Back in August, I shared some character concepts for one of the stories to be included in Bedside Press's Gothic Tales of Haunted Love anthology which is slated to come out in early 2018. Now that I have some time, I thought I'd share some of the images from the pages of Green, Gold and Black, written by my friend, Cherelle Higgins, that doesn't give too much away.  The story is set in 1728 Jamaica when, on the eve of a slave uprising, a young house slave tries to protect her newborn infant from a pair of vengeful ghosts.

I wish I could share more because I feel I really pushed myself on this one, armed with some of the knowledge I've been slowly picking up from the Schoolism courses (I can't praise them enough), and also from years back at the Toronto Cartoonists Workshop where I learned how to break a script down into panel form from the wonderful Leonard Kirk! I didn't think I'd ever need to use that but while Cherelle has always written beautiful prose she didn't have any experience writing in comic form.  With Cherelle and Bedside Press's feedback I separated the text into panels as how I thought might best work with the amount of pages we were allocated. I even surprised myself by doing all the lettering and hand-drawn text bubbles. On my previous two comics, I was lucky to have my husband letter for me in Illustrator. He really enjoys this whole process but this time he had his own deadlines and couldn't assist. Having said that, he did volunteer to design a simple title for the story.

Below is the first page followed by a slideshow of some progression and early character sketches. I hope you enjoy!

Green-Gold-and-Black-Pg-001.jpg

Candle Lanterns

I was flattered to be asked to draw a still image to accompany Jeff Gunn's lovely Candle Lanterns song on YouTube. I am a fan of his work and sometimes play his songs while working. It's really relaxing and helps me focus. 

Jeff has partnered with pledgemusic.com to release his full album, All the Roads We Takethis October. The song, Candle Lanterns, was written to commemorate the Bang Fai Festival on the Mekong River in Thailand. His album contains a collection of songs that were inspired from his travels around the globe over the last 10 years. All the sounds in the album were produced solely on the guitar using harp harmonics and was built on the versatility and beauty offered by the guitar. I encourage you to have a listen and, if you like it, please consider making a pledge to help him get his album out. Additionally, he is contributing 5% of all proceeds to Plan International. Thanks so much for taking a look!

Jeff Gunn is a Juno Award-nominated songwriter, contributor for Guitar World Magazine, Acoustic Guitar Magazine, National Geographic and author of the Hidden Sounds Guitar series. 

Below is the final image along with some of the draft versions leading up to it. I hope you enjoy!

Painting My Life Preview Issue Comic Cover

I was flattered to be asked to draw and ink an alternate comic cover for Canadian writer and filmmaker, Pasquale Marco Veltri. He wanted the cover for the preview issue of his graphic novel, Painting My Lifepencilled and inked by Ian Wright and coloured by Jorge Cortes

The creative brief I received was to have the main character, Alice, seated in the centre of a room, painting herself and everything in the room on canvas while gargoyles watch attentively nearby. He wanted the painted scene to be repeated in the painting within the painting. To increase the level of unease, he wanted the painting of the old woman on the wall to be repeated on most of the canvases, watching Alice work with varying levels of disapproval or dismay. This was a challenging image to work on because of all the elements and expressions. Because I'm a huge fan of animation and anime I took inspiration from some of my favourite shows and movies when designing the characters while trying to maintain the main characteristics of the characters I drew.  A mirror was always at hand while I acted out some of these poses and expressions!

While drawing this out in Clip Studio, I ended up adding in some flats for my own purposes to help me separate the foreground from the background. I'm not a typical penciller laying out shading and heavy inks because I often colour the page myself and so I was a little worried whether my pencils had enough information for the colourist but my fears were unfounded as he did a fantastic job! When I saw the finished version, I was surprised that his colour scheme was actually similar to my working flats. When I did my flats, I thought it would be nice to colour it later but then another project came up and it didn't look like I would have the opportunity anytime soon. 

Gothic Tales of Haunted Love

I'm super excited to be collaborating with my good friend, Cherelle Higgins, on a story she's written entitled: Green, Gold and Black. A story set in 1728 Jamaica, on the eve of a slave uprising. A young house slave tries to protect her newborn infant from a pair of vengeful ghosts.

Her story will be part of Bedside Press' Gothic Tales of Haunted Love comic anthology. There is a Kickstarter for it now so if you're into the spooky and romantic, please check it out!

Over the years, I've been fortunate to have read a lot of Cherelle's lush and imaginative stories, from cruel gods and goddesses to demons and angels, undead and other creatures I would never have imagined. She always manages to take a conventional theme and make it her own so I'm very happy she'll be getting another of her stories out there for others to read. If you haven't already, another story she wrote appears in the The Secret Lives of Geek Girls called Cherry where she tackles a past trauma. 

And now, some character concepts: 

Tub Sauce

I was recently commissioned to create a label to go on a mason jar as a birthday gift. The client wanted an illustration of his friend, Taras, who enjoys making his own tomato sauce with ingredients from his backyard. I was told that he washes the tomatoes in his clawfoot tub so the client came up with this fun idea of having him in the tub with his tomatoes sipping a glass of wine while he scrubs his back. I thought the idea was cute and really enjoyed working with the art director, Samantha, who was the go-between for this little project.

It started with me trying to get his likeness down from the photos I was sent. I was given a concept sketch to use for inspiration and asked to see if I could come up with other ideas. Because of the tomatoes and herbs, I thought it might be nice to add them as a decoration around the image and we did end up using that. The toothbrush was another fun thought that popped into my head but in the end we ended up using a bit of the initial concept with the herb and tomato border. My hubby came up with a couple of great text ideas but in the end they wanted to go with text that more closely matches his hand writing. The text, cutout and framing was all done by Samantha who did such a wonderful job. I'm told the recipient was quite surprised and pleased with his gift!

Cambridge Arts Festival

I know I've been behind in my blog posts, really behind. Where has the time gone? I've had to put aside a personal project I was working on with my hubby to work on a number of commissions. I will share some of them when I'm able. In the meantime, here's a recent piece I did because I needed an avatar for the upcoming Cambridge Arts Festival where I'll be tabling on August 26th. It about sums up me up in the morning.  I am so not creative or coherent until I've had that cup of Joe, or two...

Toronto Comics Arts Festival

I was recently informed that I will be sharing a table with Oliver Ho at the TCAF this weekend. We will be promoting his book, Seven Strange Stories. Come on out and say hello. I'll be there on Saturday at table 119. https://guidebook.com/guide/91128/

Update: Hi, everyone! Unfortunately due to circumstances beyond my control, I won't be tabling at TCAF after all. I hope you all still get a chance to visit TCAF this year!