A Look Back at Some of My Successes and Setbacks of 2019

Some Setbacks:

Said goodbye to our fur babies

It was a stressful and emotionally-draining year for both the hubby and I. Our two cats became ill at the start of the year (one with stage-4 kidney disease and the other, rectal cancer). The one with kidney disease (left) lost his eyesight so we had to watch him more closely. He had fallen from a landing through a rail onto the stairs (luckily, not far). Needless to say, this scared us so the hubby built guards along the railings and to prevent future mishaps. Both cats ended up needing constant monitoring and care so it tied us to our home more than usual. Sadly, their battles ended later in the year, one shortly after the other's, and it was a truly heart-wrenching time for us. We know we were very lucky that they both reached the ripe age of 20 but it was still very hard to accept. They were our babies and had been with us since they were kittens. The house certainly feels emptier without them.

I also had some of my own health issues to deal with, one of which was the onset of severe back pain. I’m still trying to rule out the cause but it has slowed me down. I’m hopeful that I’ll figure it out and rectify it in the new year.

Although I did manage to create more art and post it, some goals that I had laid out for myself at the beginning of the year, both art and personal, weren’t reached.

I sum up the setbacks in this final image I drew for the year:

So-Long-2019-small.jpg

And some of my successes:

Gained new a client

An animator who follows me reached out to see if I was available to assist a project he was involved with. While working for this client, I learned some new techniques and had a lot of fun creating background illustrations and props for an instructional animation about ADHD. Once the project had completed and been made public, I was able to share it. It's an unusual but satisfying feeling seeing your work as part of an animation.

Worked with returning clients

It’s gratifying when clients come back to you for more work. It seems to validate that I did something right. At least I hope it does. Maybe it’s just good timing. Unfortunately, most of that work was either internal or not yet allowed to be shared.

Got my work published in a children’s art book

The Monster Project:

I was pleasantly surprised when I was approached to contribute artwork to The Monster Project: elementary students are asked to draw a monster of their own creation and artists from around the world are each matched up with a child and attempt to envision that child's creature rendered in their own style. The organizers had a big event late in the summer to present the new creations back to the kids so they could see where their imaginations and collaborations led. It made me happy to see the video of my chosen kid’s reaction to my artwork. I was delighted and humbled to also have my artwork included in the printed book. It turned out very nicely and if weren't for this project I never would have discovered so many other great artists. So thank you to the organizers!

Started to gain some more followers on my portfolio sites and more interest at my stores

This might be more common than I realize but, speaking for myself, an artist's ego is a fragile thing. It sure feels nice to be appreciated for what you do. As an artist that feeling perhaps goes a longer way. Could it be that the extra time & care spent posting and curating helped? I did spend more time working on the consistency of my art style; it's a constant struggle. I’m pretty sure being part of the Monster Project didn’t hurt.

Learned some new skills

I pushed myself to do more colour and light studies; I learned how to properly apply colour to a greyscale image, and learned some new techniques to speed up my workflow. I like to think that my design skills have also improved this past year.

In the preceding images I used reference from The Mandalorian TV show and what I had learned from my classes with Sam Neilson to paint them. I drew this little fellow (yes, I know it's Baby Yoda AKA The Child) by breaking him down into flats, shadows, occlusions, highlights and final touches. It was good practice to focus on technique and application instead of just trying to race to the end result.

I also delved some more into animal anatomy because I want to get better at drawing animals and creatures:

I hope I'm not just imagining it but I started to notice a style beginning to emerge (see my earlier comment about consistency) and more of a direction with my work. It’s something I wasn’t sure I’d ever accomplish with my penchant for being distracted by bright shiny things and techniques.

Despite the setbacks I think there were some real positive gains and I look forward to what 2020 brings. Here’s to a healthy and prosperous New Year!

Recent Studies, Recent Art

Sorry for the lack of blog updates these past months! I decided early this year to focus my efforts on learning and creating more artwork to add to my portfolio, stores and Instagram pages. I’ve also been helping out an animator with an informational video on a tight deadline. I’ll talk more about that in an upcoming post.

In order to produce more personal work, I began to set some time limits for myself for each piece and, as a result, I became much more efficient and produced more work in a few months than I did in an entire year. I realized a lot of what slowed me down in the past was overthinking things. Don’t get me wrong, I occasionally still do but I’ve been trying my best to push past it. I totally get that ubiquitous t-shirt phrase, Don’t Overthink It.

Letting go to draw whatever came to mind and trying out whatever style was also very freeing—I was coming up with ideas far more often. Too often, sometimes, but that’s a good thing, right? My main struggle these days is I have trouble trying to stick to a single subject matter and style because I love to explore. It would be nice to be recognized for my style. I’m not sure if I have one yet. Maybe one day.

Because I’m constantly trying to increase my knowledge of technique, I followed some tips I picked up from my Schoolism classes and I started to do more light studies, studies of animals, action poses and backgrounds. I began to notice improvement to my finished pieces which I’ll save for another post. I felt like I was able to produce them a little more easily than I had in the past. Although I was pleased at how some of them turned out I know there will always be room for growth. I did start to think: Wow, did I really do that? There was a time when I would make numerous studies and still feel like I wasn’t advancing. I was embarrassed to share them so often I didn’t. To me they weren’t good enough—I made the mistake of comparing myself to others. We are often hardest on ourselves, right? I’ve since changed my perspective and instead try to learn from those artists I admire. Below are some of the studies I’ve been doing this year.

Light Studies:


Exploration of Shapes, Expressions and Line of Action :

Landscape Studies From Photos and Paintings:

Animal Studies:

Thanks for looking!

Dinosaurs, Raccoons and Cats, Oh My!

I've been a little behind in my blog posts this year because I've been spending my time learning. In addition to reviewing some of my old Schoolism classes, I took on some new ones over at Skillshare. Some classes include designing patterns—one in Photoshop, the other in Illustrator. I'm still trying to decide which best fits my workflow but now I have more options. I always thought that some of my character designs might potentially work well either as patterns or standalone images on products. I'll let you be the judge! :)

Schoolism Gesture Drawing - Weeks 7 and 8

In Week 7 of Gesture Drawing with Alex Woo, we covered the final topic of the course which was story. The goal was to take everything we've learned thus far (the visual punctuation and grammar) and create a narrative from a sequence of the model's poses. It was okay to change a pose if necessary to help sell the story. I found this to be one of the toughest assignments of the course and, for the first set, ended up having to change parts of the remaining poses to suit the narrative I saw from the first pose.

In the second set, I drew in blue pencil and stayed within the 4-minute timeline but, to do so, had to keep most of the poses as they were. Because some of the poses did not feel natural to me and the arrangement felt bizarre so I found it very difficult to come up with anything other than golfing and the narrative felt weak as a result. 

Week 8 was a review and wrap-up. Our teacher also recounted some of his background and his journey as an artist. It was interesting to hear his story and to find some similarities in the art that inspired us, growing up. I've learned much from this course and glad I took it. It has certainly helped me get a little faster at drawing poses and coming up with narratives.

I am looking forward to my next course on Pictorial Composition with Nathan Fowkes, a veteran in the entertainment industry who has worked on a lot of my favourite Dreamworks films.

Schoolism - Gesture Drawing Week 6

Now that the My Beloved Monster comic is out of the way, I thought I'd get back to where I left off in my Gesture Drawing class. Week 6 was about Extrapolation. In gesture drawing, it is the process of seeing beyond the surface of what's in front of you and drawing out the idea behind the pose onto another physiology. Week 5's homework of studying the anatomy of an animal of our choosing got us ready for this.

For our first assignment, we were to select 10 of our favourite examples of extrapolation from either animated or live action films where the animals show emotions and mannerisms we can relate to. We had to be careful not to select poses where they were overly anthropomorphized. I chose some of my favourite animal characters from Disney and one from Sony Pictures. It kind of makes me want to watch these movies all over again. These characters are so memorable and enjoyable to watch. 

The second part of the homework assignment was to take the idea behind the model's pose and draw it using our chosen animal instead. 

Some of these poses were more challenging than others and took longer than I thought. After using some of these principles on my recent comic book with a cat character, it made me see the value in this exercise coming up with body language for the cat on my own.

 

 

Schoolism - Gesture Drawing Week 5

Week 5 was about using exaggeration to clearly communicate our ideas. We were to use the model's poses from the supplied video and come up with a story behind each pose and push it a little further to sell the idea. I found some were definitely more challenging to see as an everyday activity. I changed the figure slightly or added some elements in order to get my idea across better.

The second part of homework was to pick an animal and do two hours worth of drawing, focusing on understanding its anatomy because we would be using it for the following week's assignment.

Because I was unsatisfied with my initial drawings from memory, I did more research than was called for, some of which I've posted below. I did feel my drawings improved with the added study but I could still use some more practice. It took me a while to get to a point where I didn't completely hate my drawings of people so I didn't expect instant mastery of drawing animals. I would love nothing more than to rush this learning process and draw like a boss but until I can download this into my brain, Matrix-style, I will have to contend with learning the old-fashioned way: lots of observation and practice!

Lastly, we were to draw for an hour using exaggeration to capture the ideas/feelings we saw in a pose. I found a number of models from photo reference. I used them and pushed their expressions, added costumes, etc., much like the first assignment.

Schoolism - Foundation Studies Course - Weeks 4 and 5

I know that I'm a little behind on this post due to some personal and client projects that came up but below are my 2 assignments for week 4 on 'Composition' with Thomas Fluharty.

I took a little longer on my second assignment for week 4 trying to get the lighting, poses and expressions right. For both assignments, we were given photos to use as reference and encouraged to include as many as possible using all the tools we learned from this course to create a pleasing composition.  For my first assignment, I used all 4 of the provided images (dog, cat, window and flowers). For my last assignment, I used 4 out of the 5 images because I felt that a park bench wasn't necessary to the story of daredevil dogs and it would end up being too busy for the shot. I was thinking that I may do a coloured version later and possibly make a print of it.

Week 5 was an overview of gesture drawing with a suggestion to continue studies by taking Alex Woo's class on gesture drawing. I wholeheartedly agree and have already switched to his class. It's a great tool to help you see things in a new way and to keep poses from looking stiff. I will be posting more on that soon.